Industry 101
written by J.DOT
written by J.DOT
People don’t dance no’ mo’…all they do is this! All they do is this!...That was a great song by Goodie Mob that obviously never matriculated into the mainstream rap world. Those prophetic lyrics have come true for East Coast hip hop during a time in music where people don’t dance on the East Coast/up North anymore. They just bop their heads to a beat that the Teenage Mutant Ninja Turtles should be cruising the sewers to. In the South they make songs like “the stanky leg”, “its goin’ down”, all Soulja Boy’s songs, and many more that keep people dancing down at the bottom of the map. Even T.I. and Jeezy’s music, which leans on the more street side, has some bounce to it. This key element to the music (dancing) is missing from East Coast and up North rappers right now.
When we refer to East Coast rap we might as well say New York City. Jersey and Philly had they’re heavy weights but just like New York we can count on our hands how many East Coast rappers there are/have been that are still relevant in today’s music industry. Let’s face it. Hip hop has gone main stream, there isn’t anything wrong with that either. Jay-z made the matriculation from the street to the fame and so did Diddy. 50 cent is probably the last New York rapper to achieve high levels of fame, money, success, and popularity off of rap culture and music without eventually becoming irrelevant. Cam’ Ron and the Diplomats are the one group that did a good job connecting with the South rather than going against them. The Dips (or what’s left of them) have been good at making “feel good” music. They incorporate Harlem's lifestyle and the many dances that the natives of Harlem come up with in their music as much as possible. The world would not have known about the Harlem Shake had it not been for the music and videos that portrayed it during the late 90’s and early 2000’s. No matter what was going on in their personal lives, their music is always positive and up beat. Joe Budden, who happens to be a great lyricist can’t get over the hump because he has been rapping “AT” his fans and not for them since 50 came at him.
How many rappers from the East Coast are still out there trying to find that one “hit”? It seems like even when they do get that one hit (ie: Maino with “Hi hater.”) They still become one hit wonders. M.I.M.S. has a new song called “Move.” This record has a nice beat but Mims actually did a decent job with what I like to call “The new dumb version of rap” that provides a nice beat with okay lyrics. I don’t mind this new version of rap because hip hop and rap were founded upon dope beats that made you want to dance. The lyrics weren’t always complex although they still provided your body and soul with something deep.
Over the years we have been blessed with lyrical genius’ such as the Notorious B.I.G, 2pac, Big Pun, KRS 1, Busta Rhymes, Public Enemy, Rakim, NAS, just to name a few. Those were not the only rappers that gave us something significant. Grand Master Flash wasn’t super lyrical but he gave us some legendary, classic, music to hold on to and dance to. Run DMC definitely was not a lyrical bunch but they are arguably one of the best hip hop acts of all time. I’m not sure what the East Coast can do to keep up with the Southern artists right now but I do think it will need to involve some music that involves less complaining, street talk (because everyone aint street), and more bounce. People don’t like being rapped at. They like being rapped to or about.
7 comments:
Wowsers. I'm amused in advance for the conniption the NY heads will have when they wake up.
See, the whole dance thing is the south's lane. NY has to do their thing. My formula for a perfect NY track is a tough combo. Give me some impressive lyrics over a decent topic with mainstream appeal, a catchy flow, a hot beat, and a strong hook.
We don't want the radio getting oversaturated with a lot of the same music, which is kind of what's happening now. If the NY folks an hit their lane properly there should be room for everyone to eat.
By the way, you really wanna go there with the one hit wonders?
Hmmm this is a toughie. Because I really don't think this is an east coast vs. the south thing anymore. Cuz rappers like Lupe Fiasco, Evidence and Little Brother deal with similar "crossover appeal" issues as Joe Budden does.
If you look at the history of hip-hop... Lyrics never out sold "poppy dance tracks". But the game has changed since people stopped buying albums and the industry is just so damn narrow that it seems that only one style is getting signed to record deals.
I mean plus there's a difference between "catchy" songs and quality music. NY def isn't on top of the billboard charts but there's been some dope ass music that's come out.
But yeah The South unfortunately is littered with one hit wonders who made one catchy ass song, cashed out and is now on the sidelines.
Its a weird situation the game is in and I don't know the answer.
Good post.
A weird point... bass heavy music used to be the s**t that people danced to back in the day. Check out Juice and listen to some hard ass Rakim lyrics and people danced to them. If the songs were upbeat, they got danced to regardless of what dude was rapping about. It just different now.
I TOLD YOU MFS THE SOUTH IS RUNNIN IT!! HAAAAAAA, on a random note, i met this dude the other day from suburban detroit and he LOVED Houston rap; he loved southern rap in general but Houston in particular. Now being from the H i cant even vouch for all those cats, I ride for 4 of em: UGK, Face, and my 4th one varies between which swisha house member has the hottest song out. but yeah man, NY gotta bring something else, they been talkin this "we comin back" ish for a while, just like Snoop and them were, but we still holdin the crown down south BAYBEH!
Hmmm...
Longevity. Which southern artists that make only dance music really have long and successful careers? Their stuff bumps in the club and they rock as ring tones, but that doesn't necessarily mean their CDs are getting bought like that.
I just need artists that can actually rap to get play. Or maybe make music that can get play without them feeling like they sold out. You play it enough and it has a hot hook (usually that people can sing along to), the people will gravitate towards it.
The south definitely has one hit wonders but they also have more artists over the past few years that are still making music.
What the South's legacy will be remains to be seen. If 5-10 years from now Ludacris, Soulja Boy, T.I., and Young Joc (stretch) can still sell out a stadium like Diddy, Jay, or even Busta then maybe we can compare them.
Until then I'm giving the crown to the South. Not based on what my musical preference is but by what has been selling the most records/ringtones/itunes, or whatever...
Doesn't make it right but it is what it is...(hip hop cliche)
...and the Lupe's, and the Kid Cuddi's and the Wale's (and artists like them that are NOW emerging) are the future of rap. Let's hope the world starts to appreciate "good" music again.
"Do you fools listen to music? Or do you just skim through it?" ::Jay-z::
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