Welcome to Past the Margin where we go beyond the beats, beyond the rhymes, beyond the cars, girls and diamonds. At Past The Margin we dig a little deeper into the topics that deal with this thing we call "Hip-Hop".

We plan to bring to you those serious, comical and controversial ideas and opinions that you've had with your "peoples" whether it was on the block or in your crib. There's hundreds of conversations going on right now about Hip-Hop and everyone has something to say about it. So don't think outside the box... take it Past the Margin.

Updated Daily...

Monday, March 31, 2008

One on One



My Date with Syd

For those who’ve seen the incredible movie Brown Sugar, you’ll remember the beautiful Sydney Shaw. She’s the editor of XXL and an aspiring writer. In all her interviews she starts off by asking the same question, “When did you first fall in love with Hip-Hop?” Well Sydney actually heard about the website and wanted to interview your boy JusHH. Sadly, I was out of town when she called so we had to do it over the phone [one tear]. The following are some of the highlights of this interview.

Sydney Shaw: So JusHH, when did you first fall in love with Hip-Hop?

JusHH: 1994, I was 12 years old and I was watching videos on “The Box” and Nas’ “It Ain’t Hard to Tell” video came on and the light bulb went on and I was like, “this is me!”

SS: But you must have heard Rakim and the rest of them right?

J: Yeah but it was different, I knew I liked the music but that was the 80’s, I also loved Michael Jackson and a whole bunch of other stuff. But when I saw this video it all changed for me. I had found “my” music, the music that spoke to me the music that I could identify with. It was the culture that I had been apart of but was never able to articulate.

SS: What do you mean?

J: Well my people [young blacks] are left out of mainstream America. We never had a voice. You didn’t see us on television, hear us on the radio or even read about us in books. But when Hip-Hop came out it brought all of our experiences out into the open and shed light onto it. The things that me and my friends would do on the daily was finally being discussed and we could call it “Hip-Hop”. What people fail to realize is that Hip-Hop is bigger than just music, it’s a culture that many people hold near and dear to their hearts.

SS: Cool, cool. Who’s your favorite rapper?

J: 2Pac. I feel that at the end of the day, music has to be more than entertaining, it has to evoke emotions, its gotta inspire. Other rappers definitely get the ooh’s and ahh’s but 2Pac’s music makes me want to work harder in school, go hug my mother or stick my chest out and be proud to be black. I feel that he is Hip-Hop’s Marvin Gaye. There’s no substitute for that.

SS: Hip-Hop has definitely been under fire in the last year or so, what do you think is the greatest threat to Hip-Hop’s existence?

J: Well like I said earlier, Hip-Hop is more than just music it’s an entire culture. So the biggest threats are the same threats that affect the people within the culture – poverty, violence, drugs, greed and a lack of family and community. Hip-Hop music sounds so one dimensional and bad because that’s where the mentality of the people are. Our people are in trouble, there’s no guidance, no focus. Peep how vast and diverse our music was 10-15 years ago, I think kids these days are facing more problems than we did and it shows in their art.

SS: And the music leads the way.

J: Exactly. The music is only a reflection of the culture and we can’t ignore them and write them off as uncultured idiots. We’ve got kids raising kids now and we need to return to family and unity and if used properly Hip-Hop music can be a driving force. We need all these rappers and executives who’ve made millions off its consumers to really give back to the people and help educate and improve them rather than capitalize off of and exploit their weaknesses.

SS: A lot of people refer to the “Golden Era” of Hip-Hop as 1988-1992, what’s your favorite time period?

J: I have two actually 1993-1996 and 1998-2000. In the first one, you had debut albums from Snoop, Nas, Jay-Z, Biggie, Wu-Tang – I mean come on, does it get any better than that? However I also loved the 1998-2000 as well. We got Big Pun, the Canibus and the DMX takeover, Boot Camp Click was in full effect. We had the Hard Knock Life tour, Eminem came on to the scene. Def Jam was on top with “Month of the Man” with Red and Meth, I could go on and on about this so I’ll stop here. (laughs)

SS: Why don’t you think the rest of the country embraces Hip-Hop the way that it should?

J: For the same reasons that it doesn’t embrace anything that black people do. That’s a larger discussion altogether. But its sexier to focus on all the negatives of anything and Hip-Hop is no different. Aside from giving people a sense of self, Hip-Hop has created millions of jobs and kept thousands of kids off of the streets. Like Treach said, you would rather him be a rapper instead of being in your house. (laughs)

SS: If you ruled the world, what would you like to see happen?

J: For one, Nas and Jay to record a full album. I might buy 5 of them! But seriously I’d want to return the art and the culture back to the people that want to see it prosper. I want to reward those who are creative and are willing to think outside the box for the sake of enhancing the culture. And those who hurt Hip-Hop are exposed and sent to the same purgatory that Suge Knight and Benzino are currently resting.

SS: Okay, last question. What does your name mean?

J: No gimmicks. No bulls**t. Jus(t) H(ip-)H(op).

SS: Haha. Great interview, I definitely enjoyed it. What are you doing later on this week? I’m usually not this forward but would you like to meet up for dinner sometime?

J: I thought you’d never ask.

(okay, I made up the last part)

4 comments:

Saturday, March 29, 2008

Collecting rappers...


"Sigel, who spent a year in jail after being sentenced in 2004 for drug and weapons offenses, was back in federal court yesterday for violating terms of his supervised release for a third time.

Authorities said Sigel, whose real name is Dwight Grant, gave a false urine sample to probation officials on Feb. 29 and also tested positive five times earlier this month for controlled substances, including Xanax and Percocet.

The former is used to treat anxiety and the latter is typically used to treat moderate to severe pain, but is considered very addictive.

U.S. District Judge R. Barclay Surrick sentenced Sigel, 34, to three months in prison and one additional year of supervised release, which he is to continue in a drug-treatment program."


The system is collecting rappers right now... Read More

0 comments:

Friday, March 28, 2008

Opinions...



While I respect the man somewhat for “owning up to” these charges, I find it difficult to take the apology and the acknowledgement of walking down a “long road of redemption” seriously. Be reminded that this is the same Clifford Harris that was indicted on drug charges and violated probation stemming from those charges. This isn’t a guy who is ignorant, especially as it relates to the United States Department of Corrections. With 4 Bars post today, I figured this would be a prudent addendum to our discussion today.

-KT

2 comments:

Decisions...


A Nigger Moment written by 4bars

Aight, so I had something completely different in mind for this week’s edition but due to niggerdom that was settled in a court of law today, I must address it: WHY ARE OUR ARTISTS SO F’N STUPID?!? In case you hadn’t heard, Remy Ma was convicted, today, of assault. Now, with all the stuff that rappers get into, (gun charge here, possession of a controlled substance there) hearing about a rapper in trouble doesn’t come as much of a surprise. Lil Kim was recently jailed (and had a show documenting the days leading up to it, wtf? Thanks BET for setting such a great example) for perjury and now Remy Ma has been convicted of, get this, shooting her FRIEND outside of a nightclub because she thought she had stolen $3k. Now I’m in no position to talk about $3k like its chump change cause I don’t really make that much money anyway (struggling grad student here, donations are welcome), but certainly if you’re a Grammy nominated recording artist who probably earns more than 3 times that much for a guest appearance on a song or a performance, is your freedom and livelihood really worth 3 grand?

She faces up to 25 years in prison but it is likely that she’ll receive somewhere between 5-10. Is talking to somebody not an ok way to handle a dispute in the streets anymore? I mean, don’t get me wrong, if this lady had been a stranger, I’m not condoning violence, but a more stern and swift means of action than “talking” are certainly in order. But apparently this woman she shot (with hollow tip bullets no less) was her friend. Is this how we treat our peoples now? I know that your friends can sometimes be the people you have to keep closest cause they’ll stab you in the back, but shooting her after yelling at her to “Dump the Bag!!” and it hasn’t been confirmed yet but apparently the money in question was not found in the victim’s purse, seriously, wtf? I’m embarrassed for Remy because this is just uncalled for and I cant figure out why she would shoot anyone, let alone HER DAMN FRIEND over three thousand dollars. Is there an amount of street cred that goes along with this? Was Rem looking to show us she wasn’t no “punk bitch”, somebody tell me why or how this makes any kind of sense? (sigh) Damn.

5 comments:

Thursday, March 27, 2008

Worth The Hype?


Prove It…
written by KT
First and foremost, I want to start by saying that I am not what you would call a Lil Wayne “fan.” There are some who live and die, swear, by that man’s word. I’m not one of those people. There are some who would have you believe that he is the best rapper in the game right now and for the next 10 years. I am not one of those people. I am a realist and I know what is presented to me. I know that, for the past four or five years, Dwayne Carter has been one of the most talked about artists under 30 that hip-hop has spawned in a VERY long time. With countless mixtape credits, copious YouTube hits and a mythical album with Harlem’s own Mr. Wild Card, Juelz Santana, it’s hard not to see why people can’t stop bringing this dude’s name up in conversation.

Don’t be fooled, this won’t be one of those posts where I am going to be overtly praising him for any of his musical talents or cutting him down for his shortcomings, I’m just presenting to you what’s been presented to me. In 2004, when The Carter dropped, Weezy was still a somewhat obscure artist by many people’s standards (raise your had if you can think of 5 people who owned “500 Degreez” or “Lights Out.”). And, in many ways, this was the album that brought him out to the forefront, but more specifically, the track “Go DJ,” which was produced by Mannie Fresh.

The Carter II came out a year later and, even though it was 22 tracks strong, was well received by most critics. The tracks “Hustler Muzik,” “Fireman,” “Fly In,” and “Money on My Mind” come to mind as standouts. This was another album that did well to elevate Weezy’s status even further.

In my eyes, however, he remains an enigma.

I told you that I was not a Weezy fan, but that is not to say that I don’t like or respect the dude for what he’s done. I’ll be totally frank, I felt as if the production value on the first two “Carter’s” was lacking (with the exceptions of the songs I just mentioned). Yet, here is a man who has used his vast lyrical ability and an insane work ethic (either that or the drugs just keep him awake) to pump out guest spot after mixtape after guest spot after mixtape.

As I said, I wasn’t a huge fan of the “Carter” albums. I say that because I don’t think I will be a fan of “The Carter III” when it finally hits stores May 13th. Because while this is a dude who can come up with lines like “all my kicks fly/like Liu Kang,” and spit out songs like the classic “Tha Block is Hot,” he has regressed somewhat because a lot of his best stuff has been pimped out to DJ’s and other rappers. Let us remember that Dedication 2, in my opinion the best album of his during the “Carter” era, wasn’t even supposed to be a commercially released LP. And now, “The Drought” series stands as some of his best work to date. Can we really say with confidence that the highly anticipated “The Carter III” will live up to the expectations that these mixtapes did?

Unfortunately, I doubt it.

The first single off the album, “Lollipop,” is a dope song…if you happen to be at Magic City in Atlanta or Scores in New York. The beat is infectious and regardless of whether you agree with me or not, I know that every now and then, you will find yourself humming “shawty wanna thuuuuggggg….” (R.I.P. Stat Major). But it’s not the type of song that garners heavy buzz. I happen to really like that song and I don’t care who knows it, but one can’t help but long for more from this man. Is he overrated? Nah, I wouldn’t go as far as to say that. It’s not as if he’s not one to deliver some classic verses (check the “Party Like A Rockstar,” “Crying Out For Me,” and “Dey Know” remixes if you need help understanding that: “We are not the same/I am a martian/it’s young Weezy F. baby/ no abortion – “Party Like A Rockstar remix), but at this point a lot of us are just left wondering…

“Best rapper alive? Will you even be the best rapper this summer?”

2 comments:

Tuesday, March 25, 2008

Press it...


Nyquil Mixtape of the Week – (noun) A group of five (5) songs that you are currently sleeping on. Either you've never heard them or forgot how much you really love them. Regardless, you need to brush the dust off your CD rack and play them or add them to your collection.

1. "Good Night" – Kanye West ft. Mos Def, Graduation (Japan/UK)
If I had to choose my Mos Def performance I would have picked this one over "all of these Drunk and Hot girls".


2. "Silent Murder" – Nas, It Was Written (cassette)
The funniest thing about this is that I bought the tape and got this bonus while my two boys who spent more for the CD, didn't… oh they hated my guts for that.


3. "Game Time"Lupe Fiasco, Food & Liquor (leak)
I felt bad for dude when this got leaked, but it shows his skills that he could replace songs like this and still deliver a classic.


4. "Stomp" - Young Buck ft. TI & Ludacris, Straight Outta Cashville (leak)
This is the song that started the beef between Luda and TI. At the last minute Game replaced TI for the official album version


5. "Renegade (Original)" - Eminem ft. Royce the 5'9 (unreleased)
This was supposed to
end up on a future album of theirs but then Hov came calling for the beat, and well, the rest is history.


Come back every week for a new mixtape!

2 comments:

Wallabee Champ...


New Ghost b-sides and rarities compilation
1. Intro
2. Wallabee Champ
3. ABC
4. Roosevelts (Raekwon And Trife)
5. Watch Your Mouth (Wu-tang Clan)
6. Tony Siegel (Beanie Siegel)
7. Trials Of Life (Prodigy)
8. Hidden Darts [Remix]
9. The Rich (Raekwon)
10. We Dem N****z
11. Run [Remix] (Jadakiss, Lil Wayne)
12. Good Times [Part 2]
13. Charlie Brown [Remix]
14. Clips
15. Clientele (Raekwon, Fat Joe)
16. Crockett & Tubbs (Raekwon)
17. 93 Freestyle (Method Man)

My philosophy if "I like it, I will go cop it"... with that said heres the link

Ghostface_Killah-The_Wallabee_Champ
In stores today

Fresh Tuesday, Fresh Music. Go Support Artist you like...

1 comments:

Monday, March 24, 2008

Save the receipt


… Still waiting for my Refund!
written by JusHH

Before it became so easy to steal, I mean “sample” an album before its release date, we had to buy it without hearing it. Most times you knew what you were getting and you were happy with your purchase. But there are those times, when that artist that you just expected to bring it completely dropped the ball. Those are the times when you would just stare at your radio and wish you could run back to the store and get back your $15. So here’s my request for a full refund (plus interest for pissing me off) from the following artists:

The David Blane Division – You really know better because you stopped buying their other albums but then they came out with a hot song and guaranteed this album would be different. But it was a trick and once you bought it, you were ready to throw it back at the speakers… It’s that, “Arrgh, he got me again” feeling.

Busta Rhymes – Anarchy

Fabolous – Real Talk

Fat Joe – Loyalty

Memphis Bleek – M.A.D.E.

Cam’ron – Purple Haze


The Scary Movie 4 Division – I don’t care if you have a classic “name” stop trying to use it to cover up terrible albums and have me waste my money… It’s when you scream at the top of your lungs, “Please give it up. It’s just not the same anymore! The magic is gone!”

Bone Thugs N Harmony – Thug World Order

DMX – Lord Give Me a Sign

LL Cool J – 10

Naughty By Nature – Iicons

Wu-Tang Clan – Iron Flag


The LeBron James Division – We know you’re good and even though it’s not your fault and it’s pretty much out of your control, your “team” still lost and the fans are still pissed off… It’s when you ask, “How could you possibly mess things up when you’ve got this guy on your team?”

2Pac – Pac’s Life

Big Pun – Yeeeah Baby!

The Notorious B.I.G. – Duets: The Final Chapter


The Next Friday Divison – It’s not so much that it’s a terrible album. You just know that given their history they could have done soooooo much better… It’s when you spend months making excuses then eventually say, “Damn, this album really isn’t that good.”

50 Cent – Curtis

Eminem – Encore

Jay-Z – The Dynasty: Roc La Familia

Ludacris – Chicken & Beer

Nas – Nastradamus

Outkast – Idlewild


The Buster Douglas Division – This is by far the worst division and the most painful to deal with. You definitely didn’t see it coming. This album being dope was damn near guaranteed. You were even cocky when you bought it. But the wackness hits you with a punch and knocks you on your butt… It’s when you look at your radio and ask, “what the f**k is this s**t?”

Canibus – Can-I-Bus

Coco Brovas – The Rude Awakening

Common – Electric Circus

The Firm – The Album

Foxy Brown – Chyna Doll

Jadakiss – Kiss The Game Goodbye

Method Man – Tical 2000: Judgment Day

Mobb Deep – Infamy

Mos Def – True Magic

Snoop Dogg – The Doggfather



WHO DO YOU WANT TO GET YOUR REFUND FROM?

12 comments:

Saturday, March 22, 2008

Royal Flush...


"Impeach the President cause he dont think before he talk,
Iraq got that, Now he gunning for Iran
Dont Korea got that shit, that make La look like Japan..."

Big Boi, 3000 & Raekwon - Royal Flush






When I heard this I thought about about the green mustang 5.0 Kane had in Menace II Society. I would have def had this playing riding slow in that, it just has that feeling...

Click continue reading to download



Big Boi, 3000 & Raekwon - Royal Flush

2 comments:

Video: Lupe @ Full Frontal Fashion


w/ Nikki Jean and Matt Santos

0 comments:

Friday, March 21, 2008

We Da Best...No not you Khaled


Outkast: Simply the Best
written by 4bars

So I’ve had this debate with one of the other writers here at PTM; a queens native known to be close minded to anything not New York or ultra lyrical (ahem) and I usually think, “region haters, stop bein rapper racist” (hahaha, I had to). But when I think of all the “best rapper alive” and “king of ____” talk my mind always comes back to the duo who have constantly reinvented not only themselves but the way in which hip hop is interpreted and encompassed as a whole. Of course I’m talking about Daddy Fat Sacks aka Lucious Left Foot aka Francis the Savannah Chitlin Pimp (the f?) and his eccentric yet always relevant and accurate partner in rhyme Three Stacks, Ice Cold, Possum Aloysius Jenkins; if you haven’t figured it out yet, I’m talking about the dynamic duo Outkast. Ever since their debut in 1994, they’ve grown and expanded the boundaries that hip hop was believed to have and more importantly, they were from the “Souf”. Outkast is the only hip hop entity, to date, that is able to make countless smash hits that are also rich in content and commentary while, incredibly, always bringing along a revolutionary sound.

I don’t think there is any doubt that this is by far the best “rap group” of our lifetime (I cant compare the likes of the Furious Five, Sugarhill Gang, etc. because without the pioneers, there could be no Kast) but individually, has there ever been an instance where these two didn’t demolish whatever track was fortunate enough to have been graced? Clearly I’ma huge Kast fan and maybe a bit biased, but there have been two tracks where Big Boi joined the rapper widely regarded as the best ever, Jay-Z, yet in both instances Lucious Left Foot was clearly responsible for the best verse on the song. So I ask 2 questions: 1) Is there any argument that Outkast is the best rap group of our time (1990s-present)? and 2) Why are they not regarded as two of the greatest rappers of the same era when they clearly grade at the top of the class in any qualifying category you can think of? I leave you with one of my favorite A3K verses of all time off of Aquemini (a f’n MASTERPIECE btw).

Twice upon a time there was a boy who died
and lived happily ever after but that's another chapter
live from home of the brave with dirty dollars,
beauty parlors, baby ballas, bowling ball Impalas, street scholars

majoring in culinary arts
You know how to work the bread cheese & dough
from scratch but see the catch is you can get caught
Know what ya sellin' what ya bought so cut that big talk
Let's walk to the bridge meet me halfway
now you may see some children dead off in the pathway
it's them poor babies walkin' slowly to the candy lady
It's lookin' bad need some hope
like the words maybe, if, or probably more than a hobby
when my turntables get wobbly they don't fall
I'm sorry y'all I often drift I'm talkin' gift
so when it comes you never look the horse inside it's grill
of course you know I feel like the bearer of bad news
Don't want to be it but it's needed so what have you
Now question is every nigga with dreads for the cause?
Is every nigga with golds for the fall? Naw
So don't get caught in appearance
it's Outkast Aquemini another Black experience


8 comments:

Thursday, March 20, 2008

For the right price...

Mad Skillz - Ghostwriter

With all the talk of Ghostwriting the song is only appropriate.

1 comments:

Memph Bleek is...


Nothing of Age?
written by KT


That little nigga's peeps/it's time to put him on

By the time I reached track 10 on Jay-Z’s venerable debut album “Reasonable Doubt,” it’s safe to say that I felt that dude was nice. I mean, I had a lot of context to back up this argument. Truth be told, I hadn’t heard Reasonable Doubt until after Volume 2 came out. I wasn’t checking for meaning and a lot of thought in my hip-hop diet back then. But the evidence was clear; I had heard him on “Money, Cash, Hoes” and “Reservoir Dogs.” He’s good.

But when I got to track 10 and saw Memphis Bleek’s name printed proudly next to Jay’s on “Coming of Age,” I was a little apprehensive; all that I’d heard from him was “Memphis Bleek Is…” which didn’t impress me much. I wasn’t expecting much from him on this joint. So, as Mr. Carter proclaimed “this little nigga’s peeps/it’s time to put him on,” in the last line of the chorus, I readied myself for what I was sure would be what I like to call, the “snooze verse.” You know, that verse on a track that you just push your mind through in order to get to the best one. Well, I was a little surprised.

‘Yo, he was nice on this one, man. Nah, I didn’t really say that,’ I can recall. That’s what I get for jumping to conclusions, huh? The hunger in his voice went perfectly with the wisdom and confidence present in Jay-Z’s. Like a mentor watching a student progress and grow into his own, Jay looked on as Memph bellowed eagerly:

“I'm out here slingin bringin'' the drama, tryin' to come up
in the game and add a couple of dollar signs to my name”

He sounded real, like he had seen Jay himself and felt the draw of the lifestyle he had built for himself. The parallel in reality was clear. The flow was perfect and his wordplay witty, much like his older counterpart. And even as Jay observes from a distance, Bleek does his own research and watches Jay while he longs for the life he has. As he moves effortlessly, gracefully from each line to the next, the infatuation becomes evident:

“I'm out here servin’ disturbin’ the peace, life could be better
like my man reclined in plush leather seats
He's sellin’ weight, I'm sellin’ eight... balls
sixteen tryin’ to graduate to pushin’ quarters y'all”

His ability to conjure up a feeling of wanton desire and weave a story with his words, he sort of reminded me of Jay on “22 Twos.” So, as he and Jay collab on the final verse and spit a two-sided diatribe, the ceiling inched higher and higher for Bleek as he stood toe to toe with his mentor. If you had listened to this album from day 1, from the day it dropped, you would have been reeled in easily by his eager flow and hungry delivery. It was as if I was listening to a younger version of the man I had begun to idolize, even as a 27 year old Shawn Carter’s voice floated through my ears.

I grew to like “Memphis Bleek is” a little more after hearing “Coming of Age” and when ”The Understanding” hit in 2000, I was sorely disappointed. Though Memphis Bleek had achieved platinum status with this record, there was much to be desired. Released around the time that rap had really come into it’s own as a commercial marketing tool, “Understanding” did nothing for the senses as Bleek didn’t seem to mature at all from the 16 year old kid he was. Did I expect the subject matter to waver so much? No, not really, but his delivery did nothing to belie his immaturity. While Jay would shine, and I mean like the sun, on Bleek’s biggest hit, “Is That Your Chick,” the Memph Man didn’t really step up from the background, at all.

Memphis Bleek’s spiral into relative obscurity had always been a fascinating one to me. Having clung so tightly while under Jay-Z’s wing, in the eyes of many (my own included), he never really left the ground. Doomed to face a public perception of mediocrity, Memphis Bleek has “The Process” slated for a 2008 release and as PTM shifts to an emphasis on how hip-hop has slipped into its own collective mediocrity, I think it’s prudent to think about whether Memphis Bleek can mature his ideas and grow a little more than he has shown so far. In the back of my mind, I want him to succeed and even Jay acknowledges that “Bleek could be one hit away his whole career.” But he needs to prove not only to us and Jay, but to himself, that he’s not satisfied with just having a place in Big Homie’s will.

Jay-Z feat. Memphis Bleek - Coming Of Age







16 comments:

Wednesday, March 19, 2008

Question?


What makes it a hit?
written by D.O.T.

Can you answer that question? What makes a song a hit these days. Don't you wonder why songs like M.I.M.S, "This is why I'm hot", Mike Jones "Back Then" and Chingy's "Right Thur" are the ones that top the charts in todays music world? Or do you already know why? There's no question the songs mentioned above have bangin' beats which helps but do the words even matter anymore? I mean really tho'. If that's the case I know plenty of underground artists with the same hot beats(if not better) and song concepts (if not better) as the chart topping industry heavy
hitters and they don't have a hit.

I listen to more music on a day to week basis than lil' Wayne can make in a year. A week or so ago I came across this video on mtv jams where an R&B artist by the name of Razah had a video for a song entitled "Feels So Good". The hook goes, "Feels so Goood! Lovin' Somebody!...When somebody loves you back!" Its a remake of an older original ("When Sombody Loves You Back") by Teddy Pendegrass. Its a good song that basically talks about how good it feels to love his mom because she's always been there for him, loves him back, and he knows she always will.

Razah - Feels So Good








It just so happens that an "underground" artist/dj/writer/producer /movie maker like gWiz has a song similar to Razah's accept Wiz joint is a rap record. "Good To Know" is gWiz version of how good it feels to know people got your back just as much as you have theirs yet his song isn't a "hit". The hook goes "Nothin like Real people havin your back/ you know it's good to know that/ you show em love and they turn around and they show it back/you know It's good to know that...you get love!" Both songs have been added to this post for your listening pleasure. You be the judge. Personally I believe both songs to be hit songs. This happens all of the time in music. So what makes a song a hit?

gWiz - Good To Know feat. Yomaris







9 comments:

Brush em off...


Nyquil Mixtape of the Week – (noun) A group of five (5) songs that you are currently sleeping on. Either you've never heard them or forgot how much you really love them. Regardless, you need to brush the dust off your CD rack and play them or add them to your collection.

1. "Crossover" EPMD
This song came out in 1992 and it's still relevant. Even back then people were selling out the art to go platinum. "Let's get up, Let's get down"


2. "Check Yo Self" Ice Cube ft. Das EFX
Cube was on another level at this time. He was making some of the best music in the game… Yay, yaye!!


3. "Sippin' on Syrup" Three 6 Mafia ft. UGK
R.I.P Pimp C – hope you lovin' those shrimps without the "Idine poysinin" (read Iodine poisioning)


4. "Ill Na Na"Foxy Brown ft. Method Man
Meth has been apart of some sick collabos… if you want a classic record, call Mr. Tical for a feature


5. "Knoc"Knoc-turnal ft. Missy
One of Dr. Dre's protégé's that never seen the light of day. Thought this one had a real shot though.


Come back every week for a new mixtape!

2 comments:

Tuesday, March 18, 2008

Allow me to introduce...

You already know how PTM will give you both sides of the story, two sides of the argument, and always an educational cool view on this thing called Hip-Hop. To add to the PTM flavor I reached out to a writer, who's view I respect and enjoy. She can chill with the ladies, but still rock with the fellas. Lets welcome her to the block...


Desire.

Libraries overwhelm me. Apprehension takes over my body. Combative chills. How can an avid reader be totally overwhelmed by a library? I want to read each and every book that stands on each shelf, and the acceptance of the impossible, kills. Sunday best, lying on the couch I started to remember all the times I visited a library. And there was one occasion, one visual, which sat on my shoulder softly as longing set in.

It was a grey Boston Public Library card. I walked into the Dudley Branch with one intention. And maybe I checked out a book. But I used the computer. Logged onto Ohhla.com and printed Foxy Brown ft Jay-z’sI’ll Be” lyrics.

The first concert I ever attended was a Ruff Ryders / Cash Money concert at the Fleet Center. Possibly entirely inappropriate for a 6th or 7th grade student. But a 4.0 and a love that began with my first knowledge of Mixtapes took me farther than I could imagine. A bit too hard, they’d say. Let her play with the guys.

2008. The radio comes on and it’s Jay-z’sBlue Magic”. I rhythmically went along on the lyrical ride with Mr. Carter. It was subtle. “You still listen to that crap?” my father asks. I made an attempt to let out a whim of laughter. But something in me was pained to know that even my dad knew that I left my love for Hip Hop somewhere behind with everything else I deem “irrepressible.”

Somewhere between Rock, Country, R&B, Dance and music library lie Hip-Hop tracks that will forever be instilled in the meld of who I am. It’s like avoiding bills in the mail like they’ll go away. They’re not going anywhere. Hip-Hop’s not going anywhere. I grew into a young woman with her own lease, job, education and friends. And I realized I started to think less of Hip-Hop without acknowledging the fact that both of us changed. And I want to get Hip-Hop back to that place where I’m drowning in an ocean of coolness. I need it. You need it. Hip-Hop needs us. Fuck, bitch, ho, can be reiterated over and over. But it’s only a negative when you can’t identify with the use of terms. We’re still here. We’re still the best. And I thank PTM for the opportunity to go back in time with the first to blow my mind.

By the way, the name is Elle. Nice to meet you.


7 comments:

Monday, March 17, 2008

Dropping Today...


1. Lottery (Skit)
2. Think We Got a Problem - (featuring The Game/Bun B)
3. Keep Pushin' - (featuring Mike Smith)
4. Good Love
5. D-Block - (featuring Dipset)
6. We At War
7. Scrap To This
8. Don't Be Them
9. Gettin' Stronger - (featuring Jadakiss/Styles P)
10. That's a Soldier
11. What What - (featuring Bully)
12. We Comin' - (featuring UNK)
13. Crowd (Skit)
14. We Spray Crowds
15. Rubber Grip - (featuring Fat Joe/Styles P)
16. Turntables & a Mic
17. Mic Check
18. Go Hoodlums

Sheek Louch "Good Love"


2 comments:

A Classic...

I Got 5 On It
written by JusHH

2Pac never got it. It took Jay-Z six tries to get it. A Tribe Called Quest got two, and Nas built his entire career on his first one. It was the single greatest accolade that an album could receive at one point – 5 Mics. Every month, The Source magazine would use the back pages of its issue to rate albums. Rather than stars, The Source awarded an album Microphones or “Mics” on a scale of 1 to 5. Getting 5 Mics meant that your album was a certified classic and gave that emcee unbridled bragging rights. With Hip-Hop being relatively ignored by the mainstream award shows, getting a high rating in The Source became a rapper’s Grammy. These ratings were the most captivating part of the magazine. I personally grabbed a new issue and immediately flipped to the back to see if anyone’s album was good enough to get a 5. At the time, a 5 Mic album was as rare as a UFO sighting and it kept rappers hungry. You can find many rappers referencing their own Mic ratings, often griping about not getting the extra Mic that would have made them classic:

“F**k five mics/ I don’t need no mics!” – Sticky Fingaz

“I gotta hit The Source, I need my other half a mic/ because that Southernplayalisticadillacmuzik was a classic” Big Boi of Outkast

Who got how many Mics was always a hot topic and everyone had an opinion. Before the downloading era, we often relied on The Source to tell us who was bringing it and which albums we should spend our $15 on. Then something happened. Rappers who we all knew couldn’t really spit suddenly got 4 Mics and underground rappers who used to find love within the pages of The Source couldn’t seem to get high ratings, if they were even mentioned at all. Our collective skepticism came to a head when the Made Men, a Boston trio who could be considered mediocre at best, received 4.5 Mics for their album. Combine that with countless advertisements that pushed an album no one cared about, and all kinds of red flags went up. It was at that point where we learned that one of the co-owners of the Source was none other than Raymond “Benzino” Scott. Benzino who was an aspiring rapper (his skills left much to be desired) himself, was a member of the Made Men. This fact gave the credibility of the 4.5 Mic rating a black eye. The Source was forced to put out a press release saying that it would no longer rate any albums affiliated with its owner.

However the damage was already done and it got worse. Benzino stepped out of his silent partner role and decided to use his magazine to self-promote. He would publicly take sides in rapper beefs and turned the advertising pages into his personal commercials. In 2005, the Editor-in-Chief, quit his job at The Source when his 5 Mic rating of Little Brother’s The Minstrel Show, got reduced to a 4.5 by the owners because they had planned to give Lil’ Kim’s new album a 5 and they didn’t want to take attention away from the larger star. The Mic rating system was no longer worth the paper it was printed on. You simply couldn’t trust it. Rappers stopped caring what they received and fans put down the magazine in favor of XXL and internet websites.

Facing extinction, The Source’s board of directors, in 2007, forced Benzino and others to step down. The Source continues to award Mics and some levels of credibility have been restored, however, it’s far from where it used to be. Other magazines and publications have tried to fill the void with their own ratings but it’ll never be quite like it was. Although I won’t pick up The Source any more, I’ll still ask my boys, “Yo, you think Lupe new joint is a 5?”

10 comments:

Saturday, March 15, 2008

9th Wonder & Buckshot - Go All Out (feat. Charlie Murphy)


Charlie Murphy is a fool...

1 comments:

Friday, March 14, 2008

4Bars...


If Only For One Night
written by 4Bars

“I WON'T TELL A SOUL /NO ONE HAS TO KNOW IF YOU WANT TO BE TOTALLY DISCREET/I'LL BE AT YOUR SIDE IF ONLY FOR ONE NIGHT LET ME TAKE YOU HOME/TO KEEP YOU SAFE AND WARM TILL THE EARLY DAWN/WARMS UP TO THE SUN IT WOULD BE SO NICE IF ONLY FOR ONE NIGHT

Now those lyrics are about what? A one night stand right? I mean, the title of the song has “Only for One Night” in it, so I’m sayin', it’s essentially about him tryna' beat, skeet, and hit the street. Now, this song was performed by arguably the greatest male vocal artist of his time and certainly a timeless musical figure: Luther Vandross. As I was driving (I drive a lot) and this song came on my iPod, I found myself listening to the lyrics of the song instead of just singing them and I realized what he was talking about and I thought, “this song is so creative yet talking about something pretty simple and primitive: a one night stand, where is this artistry today?”

“secret lovers undercover on the DL gettin' busy in the back of his Mercedes every night answers the phone when he goes home and let him know that everything is A Okay ooh baby damn this shit is tight passin' blunts to one another on 35th street as you reminisce and tell me what he used to do for you you makin' plans to be with me while he's at home meet you at college baby this is where we do”

If you don’t recognize the author of these lyrics, you should. He (like Vandross) is arguably the greatest song writer/maker of our time and truly is a musical genius, even if he does have a hard time finding women in his age bracket (haha, had to take a shot): R Kelly aka The Pied Piper of R&B aka Kells aka Ya Boyfriend aka, well you get where I’m going. This verse (and song) is essentially saying the same thing as Luther’s song except the lyrics are a tad more “direct” if you will. “getting busy in the back of his Mercedes every night”, “ooh baby damn this shit is tight?” word?

I mean, correct me if I’m wrong but I see glaring similarities in subject matter yet the delivery and word choice are mind blowing. During my drive I just found myself wondering how and why things had “evolved” into such a raunchy and direct packaging. Is this a reflection of our culture taste changing? Is it that we have lowered our standard for what is acceptable? A combination of both? Or something completely different? We all talked about and heard talks about the language that’s used now and I’m curious to know how ya’ll feel about it.

4 comments:

Thursday, March 13, 2008

Im a Bad Bad Boy...


Notorious B.I.G. - Gimme The Loot
written by KT


“Gimme The Loot, Gimme The Loot!” I still laugh a little bit when I hear that hook from the song of the same name. Released on 1994’s Ready To Die, I hadn’t heard this song, in earnest, until high school. You may scoff; I got into hip-hop, really into it, pretty late. And I make no apologies for that. I was in a better position to really love what I was listening to at the point I got hooked on it, and “Gimme The Loot” is probably on top of my list as far as Biggie songs go.

There aren’t many songs that won’t hold my attention if they start with the words “Muthafuckas better know.” It served as a precursor to where the rest of the song was headed, and the ride there was a crazy one. Following the story of two friends, one of which is just released from prison. The whole of the rest of the song tracks their exploits as they rob and mug just about anyone they come across.

The great thing about this song is not the content, rather it’s the colorful way that Big weaves his words together like an ornate tapestry for some of the hardest, most lucid and, quite frankly, most hilarious hip-hop lyrics ever written (“you ain’t got to explain shit/I been robbin’ muthafu**as since the slave ships”). I won’t shy away from the fact the lyrics were violent and even a little offensive, but his talent was undeniable. Regardless of what he was saying, he had me stuck with the wordplay. I can vividly remember shouting out “goodness gracious the paper/where cash at?/where the stash at?....” randomly.

I had heard Life After Death and fell in love, but having never heard Ready to Die up to that point, my brain had no context to wrap my mind around the true depth of his ability. Hearing "RTD" was the point when I realized that there was still SO much that I didn’t know about this music. As it has evolved since those hard-hitting early 90’s, so has my infatuation with it, but I will never forget how that album made me feel about not only hip hop, but Biggie himself. It’s still crazy that he’s gone and it’s still crazy how many heads are still bumping his music like it just came out.

6 comments:

Wednesday, March 12, 2008

Crank that? Crank this...


Nyquil Mixtape of the Week – (noun) A group of five (5) songs that you are currently sleeping on. Either you've never heard them or forgot how much you really love them. Regardless, you need to brush the dust off your CD rack and play them or add them to your collection.


1. "The Realest" – 50 Cent ft. The Notorious B.I.G.
Of the posthumous Biggie songs, this ranks right up there with the Dead Wrong Remix with Eminem. Beat was sick, 50 came off and BIG was well, BIG.


2. "Making a Name for Ourselves" – Common ft. Canibus, One Day It'll All Make Sense
This is one of those classics that you all know but never knew the song title. So you are all perplexed until you click the link and collectively go, "Ooooh, yooo that's my s**t!"


3. "Queensfinest"DJ Clue ft. Nas, The Professional
Slick Rick James, Ill n***a, get brains with the f**kin Hilfiger… Stop it!


4. "Players Holiday" – T.W.D.Y.
The feel of this song is so lovely. Palm trees, long cars and sunny days – Gotta love the Bay area.


5. "Bring the Ruckus" – Wu-Tang Clan, Enter the 36 Chambers
This classic album had 6 hit singles however this joint set it off and with that Shaolin's Finest took over Hip-Hop for the next few years.



Come back every week for a new mixtape!

0 comments:

Tuesday, March 11, 2008

Who's running this?

The Billboard 200
#1 This Week
Janet - Discipline
some text

#2 Erykah Badu - New Amerykah: Part One (4th World War)
some text

#3 Jack Johnson - Sleep Through The Static
some text

#4 Webbie - Savage Life 2
some text

#5 Alicia Keys - As I Am
some text
What's Dropping Today?

Rick Ross - Trilla

some text


Snoop Dogg - Ego Tripping
some text


Fat Joe - The Elephant In The Room
some text




Artist Profile
some text
Talib Kweli Greene

(born October 3, 1975), better known as Talib Kweli, is an American MC from Brooklyn, New York. He is one of the best-known and critically, if not commercially, successful rappers in alternative hip hop. His first name in Arabic means "student" or "seeker"; his middle name in Swahili means "true". Kweli first gained recognition through Black Star, a collaboration with fellow MC Mos Def. Kweli has two children. His younger brother, Jamal Greene, a Professor at Columbia Law School, graduated from Yale Law School and served as a law clerk on the U.S. Supreme Court for Justice John Paul Stevens during the 2006 Term. Kweli has supported the "Black August Benefit Concert" since its inception, and performs at the show consistently every year.

On December 31, 2006, Kweli released nine songs he recorded with acclaimed underground producer Madlib for free download in conjunction with the web site for Stones Throw Records, the label to which Madlib is signed. The album was entitled Liberation, of which Talib later was quoted by XXL magazine as stating releasing the album was liberating to him; "The idea that I could put out an album like that: record it in my house, put it out for free and get that type of response." The album was in 2007 made for sale as a retail item.

For his newest release, Kweli formed his own record label, Blacksmith Records, and has recently signed acclaimed rapper Jean Grae and the group Strong Arm Steady. He also signed a new distribution deal with Warner Bros. Records for Blacksmith Records. His latest solo album is called Eardrum and was released on Aug 21, 2007. It debuted at #2 on the Billboard 200. The first single was Listen!!!.

Kweli embarked on a national Australian tour in October, 2007. In 2007, a bootleg import CD containing rare and collaborative songs was released entitled Focus. Recently Talib has joined MTV's hit show MADE and filmed an episode in the small town of Arlington, Massachusetts, as well as SMT Studios in New York City. He was the coach of Colin Colt, a young man who wanted to be made into a rap star.

Discography

* Black Star (1998, as Black Star, with Mos Def)
* Train of Thought (2000, as Reflection Eternal, with Hi-Tek)
* Quality (2002)
* The Beautiful Struggle (2004)
* Right About Now: The Official Sucka Free Mix CD (2005)
* Liberation (2006, with Madlib)
* Eardrum (2007)
* Prisoner of Conscious (2008)
* Second Reflection Eternal Album (2008, as Reflection Eternal, with Hi-Tek)
* Party Robot (2008, as Idle Warship, with Res)
* Second Black Star Album (Release TBA, as Black Star with Mos Def)

Talib Kweli - Hot Thing / In The Mood (Featuring will.i.am)

4 comments:

Monday, March 10, 2008

Show some respect....

In the Hip-Hop world we lost this one of a kind rapper on March 9th, so to show some respect here are some memomarable videos...shout outs to OnSmash
Notorious B.I.G. - Party & Bullshit


Notorious B.I.G. Live In Philadelphia (From The Show DVD)




Notorious B.I.G. - Source Awards Performance (1995)



Notorious B.I.G. Last Interview (1997)


Watch more at OnSmash

2 comments:

Sunday, March 9, 2008

Hip-Hop = Life


A Tribute to New York Undercover
written by JusHH


“… You never thought that Hip-Hop would take it this far.” Those words ring out even stronger today because when Hip-Hop first started people never gave it a chance. People felt that it would just be a passing fad. They were all wrong. Hip-Hop isn’t going anywhere; in fact, it’s even bigger than just the music. In the Hip-Hop = Life section, we’ll pay tribute so some of Hip-Hop’s greatest influences outside of the booth.

New York Undercover

I remember it like it was yesterday. I had seen the previews – a cop show that took place in New York City where the two main characters were Black and Puerto Rican. That alone was enough to get me to watch the show. So that Thursday night I sat in front of the television an in the introductory scene I heard… Mobb Deep? I couldn’t believe my ears. I checked, no, this isn’t a music video, no, this wasn’t a live concert. It was a regular crime drama that was playing a Hip-Hop classic in its opening scene. At that moment I was in love. Never before did I feel that a show was made for me, a kid from Queens who was a Hip-Hop head. Watching Detectives JC Williams and Eddie Torres walk with a bop, wearing a Phat Farm sweater with the baggy jeans and the unlaced Tims was an incredible experience. Seeing this on television gave an authentication to what me and my boys were doing, what we were wearing and how we spoke. You might have had “Hip-Hop” themed sitcoms before but never a 60 min drama – not like this. The Internet Movie Database (IMDB.com) describes the show’s plot as follows:

Drugs, robbery, corruption, rape, murder. Cops versus criminals. The undercover war has started. Welcome to New York City.

No where in this description are the words Hip-Hop or ghetto mentioned. This was a show about cops and robbers and Hip-Hop was simply the backdrop, the perspective from which these characters viewed their world. The nature of the show also gave opportunities for aspiring actors from the Hip-Hop generation to get a break. Week after week I followed my two favorite detectives as they cracked down on crime all to a soundtrack that could be found in my discman. From time to time they wrote in live performances from some of my favorite artists and even gave cameos to other singers and rappers. It was great to see the “good guys”, who look like you, win the battle. Guys who you could relate to were not seen as thugs, but as heroes.

Since New York Undercover went off the air in 1998 after a four-year run, you saw many more shows come out that appealed to the Hip-Hop community. Nothing will give me the feeling that I had that day when I saw my first episode of New York Undercover and heard Havoc’s drums blast through my television. I can still hear the theme music in my head. Thankfully, the good folks at TV One brought it into syndication and I can watch them all over again.

14 comments:

Video: Lil Wayne European Tour 2008 - Amsterdam



5 comments:

Saturday, March 8, 2008

Video: The Roots - Get Busy


From The Roots upcoming album “Rising Down” in stores April 29th
Okayplayer

0 comments:

Thursday, March 6, 2008

Wouldn't get far...


Video Hoes - “JUST CAUSE SHE DANCES GO GO”
written by 4bars

Aight, so last week it was strictly about nostalgia and tig ole bitties but this week I’m back on my W.E.B. Dubois, “we need to do better” ish. The same women that I stayed up late night to see shake what they mamas gave em, I'ma be critical of em for just a few paragraphs, walk wit me…

Everybody saw ‘Player’s Club’ right? Lisa Raye, Ice Cube (YAYAYEEE!!), and my favorite character by far, Dollar Bill. Ok, now in case you don’t remember, the plot was about Lisa Raye’s character stripping to put herself through school and to take care of her son. Now this was based on a true story(s) of young women who actually go through this and there was also a Juvenile video a while back where the main character was stripping to put herself through school, my question is, how many of ya’ll really believe that all these women stripping are doing it to further their education? Do these “video hoes” really think that showing all their nakedness is gonna land them an acting career? Seriously, who is telling our women this stuff is ok? I mean I know its fast money but I gotta believe that at the end of the day you have to feel some kind of way about earning your money by objectifying yourself to strangers. Don’t get it twisted, I’m not judging cause I’ve been in clubs where there were strippers that I SO wish weren’t strippers cause I would’ve to take them home and love em forever (I sound like a Save-a-ho don’t I?). What I am saying is that I think it has become too socially acceptable of a career for young women with more going for them than just their bodies.

I have a little sister and she’s 21 and she grew up and still lives in “the hood” and trying to find a way to pay for school, but I’m pretty sure that stripping or pursuing her “acting career” via video hoeing has not crossed her mind. She grew up with no dad, etc; all the pitfalls that often lead to young women going down this path, she dealt with, but never thought “hmm, I need some money, I wonder if Harlem Nights is still hiring”. I guess I’m more sad than anything because I look at the way that our people are portrayed in general in most rap videos and I mean the “thug” “hoe” “hard” image is what sells these days and my question is why?

A gentleman wrote an article recently examining this question, take a gander and let me know what y’all think. (as a side note, this dude is what I like to call a tad “siddity”, he uses some words that one rarely uses in the English language, haha, does anybody know what ‘opprobrium’ is?)
Washington Post Article

22 comments:

Get Something!


Git Up, Git Out
OutKast Southernplayalisticcadillacmuzik
written by KT

While people were paying attention to the East and West Coasts for their rap diet, Outkast was getting down in the ATL back when the south wasn’t the home of ring tone rappers and the like. Yes, whether you know it or not, 3 stacks and Daddy Fat Sacks were making names for not only themselves, but for the future of the genre as a whole.

Rewind back to 1994 and to Outkast’s debut album with LaFace Records: Southernplayalisticcadillacmuzik. These two eccentric dudes coming from the south were very different from what hip-hop was used to. Drum machines and g-funk were the order of the day and Outkast bucked that trend with a heavy reliance on fractured poetry, live instrumentation and old school funk. This was a landmark album for them, but the song that puts me in a frame of mind I’m sure many of us who are on our respective grinds can relate to still rings in my ears to this day, since the very first time I’d heard it. That song? “Git Up, Git Out,” the second single off the album.

In all fairness, it’s not necessarily the most inventive song that Kast has come up with, but as a young man on my grizzly, listening to this track puts the journey to success in perspective. While Cee-Lo Green of the Goodie Mob croons, “how will you make it if you never even try?” one can’t help but focus on the uphill battle towards the goal, whatever it may be. Even as I sit here and acknowledge the extensive resume Kast boasts, this remains one of my favorite songs for the simplicity of the message and its significance to the culture they were representing.

This may be a shorter post than what you’re used to from me, but only because I wanted to focus not on the lyrics this week, but on the whole of the song and what this album meant for this group. At this point in hip-hop, at the beginning of the mid-nineties, Outkast was ushering in a new brand of the music we love. I’m going to go zone out off this track one last time. Do yourselves the favor and do the same.

4 comments:

Wednesday, March 5, 2008

Oh Oh Oh oooooo....


I was just going through my iTunes and this song came on. I don't know how many people even really knew about this track it goes back a couple years, but Kanye killed it. Ill let you be the judge.
Kanye - Ohh Drama









2 comments:

Dust off the tape cover son...


Nyquil Mixtape of the Week – (noun) A group of five (5) songs that you are currently sleeping on. Either you've never heard them or forgot how much you really love them. Regardless, you need to brush the dust off your CD rack and play them or add them to your collection.

1. "Bucktown (Remix)" – Smif n Wessun ft. MOP
What happens when the hardest meets the most gangster? Put the children to bed for this one.


2. "Boom" Royce the 5'9
An extremely talented and underrated rapper, Royce delivers his best over this Premo beat.


3. "The Most Beautifulest Thing in this World" – Keith Murray, The Most Beautifulest Thing in this World
How dope was this? I shouldn't even have to explain it to you. Get with the lyrical lexicon


4. "Give it to You" – Da Brat, Funkdafied
Often gets lost when the conversation about the best female rapper comes up but she deserves a seat at the table.


5. "Spit These Bars"Drag-On
He might have disappeared but at one time he was the hottest rookie in the game.


Come back every week for a new mixtape!

7 comments: